GOYA :: essays research papers

Francisco Jose de Goya y Lucientes was born on March 30, 1746, in Fuendetodos, a crossroads in northern Spain. The family later moved to Saragossa, where Goyas father worked as a gilder. At fourteen years old, Goya was apprenticed to Jose Luzan, a local painter. Later he went to Italy to continue his study of art. On returning to Saragossa in 1771, he painted frescoes for the local cathedral. These works, done in the decorative rococo tradition, established Goyas artistic reputation. In 1773 he married Josefa Bayeu, sister of Saragossa artist Francisco Bayeu. The couple had many children, but only one--a son, Xavier--survived to adulthood. From 1775 to 1792 Goya painted cartoons (designs) for the royal tapestry factory in Madrid. This was the most outstanding period in his artistic development. As a tapestry designer, Goya did his first genre paintings, or scenes from everyday life. The experience helped him become a keen reviewer of human behavior. He was also influenced by neoc lassicism, which was gaining favor over the rococo bearing. Finally, his study of the works of Velazquez in the royal collection resulted in a looser, much spontaneous painting technique. At the same time, Goya achieved his first popular success. He became established as a portrait painter to the Spanish aristocracy. He was take to the Royal honorary society of San Fernando in 1780, named painter to the king in 1786, and made a court painter in 1789. A serious illness in 1792 left Goya permanently deaf. Isolated from others by his deafness, he became increasingly occupied with the fantasies and inventions of his imagination and with critical and satirical observations of mankind. He evolved a bold, free new style close to caricature. In 1799 he published the Caprichos, a series of etchings satirizing human folly and weakness. His portraits became penetrating characterizations, revealing their subjects as Goya saw them. In his religious frescoes he employed a broad, free style and an earthy realism unprecedented in religious art. Goya served as director of painting at the Royal Academy from 1795 to 1797 and was appointed first Spanish court painter in 1799. During the Napoleonic invasion and the Spanish war of independence from 1808 to 1814, Goya served as court painter to the French. He expressed his horror of armed conflict in The Disasters of War, a series of starkly realistic etchings on the atrocities of war. They were not published until 1863, long after Goyas death.